"The Principled Shader is the shader to end all shaders because it's basically every single shader rolled into one."
"I'm not going as dark as possible because I'm still gonna look for an opportunity to create a bit of texture within the shadows."
"You're really when you're shading a face your shading kind of the ball because the face is a round shape."
"You captured some very nice shading in this tattoo and it looks realistic."
"By using this five-step shading process and this five-step value scale, you will always know how to shade any subject, no matter how complex."
"It makes it look like this part is casting a shadow on the page underneath it, a distinct shadow."
"This is literally like painting, like it's all like shading and highlighting on like a canvas, but the canvas is your face."
"I think when you add black, it makes it really muddy, you know, it looks like there's something kind of like dirt on our face, and that's why you don't shade with black."
"His smooth shading and his attention to detail are really uncomparable."
"This is how it's supposed to be done. This is the right way to shade a figure, use the light and dark. You really are the shiny example for how to do a pinup in this field."
"We're really aiming to follow the shape of the form with our shading, which is what's really going to create, you know, a volumetric or a realistic-looking portrait."
"Tip 3: Shading and color - Once you understand the basics, it becomes really simple."
"So if I'm doing like this head in through here, I'd have a shadow underneath here, underneath my eyes, like this, and so on and so forth."
"The left side is going to be the darkest because it's the furthest away from the light source."
"What really happens to the production and the string when we apply shading?"
"You've got a lot of different tones in this tattoo. Solid black, a little bit lighter, all the way down to your softest grays."
"I'm going to hold it way back here when I shade so I'm not going to hold it all the way up here, it's going to be back here, and then I'm going to pick one direction and I'm not going to stop until I cover that entire surface going that direction."
"Almost everything you're going to learn in this shading course is based on the idea that all form no matter how complex simplifies down into just a few basic volumes."
"You can mix the emission and transparent shaders with alpha blend in order to modulate the opacity of an effect."
"...you always want to work from the lightest part, start in at the lightest part and work out towards the darkest part."
"You can add just a slight bit more line shading at the center of each flower."
"Look at the shading and everything. The shading is really nice."
"I just wanted to show you this because of this part here and how you can use it for shading."
"The shadows just meant to look like it's, uh, it doesn't have to be black, it's just a faint or darker version of whatever it is underneath."
"Once that step is done, it's time to do the cell-shaded highlights."
"Then draw a line along the edges of your shadows. You can leave it hard edged or blend it with a blending tool or a softer brush, whichever you like. There's not a lot of science behind this one, I just think it looks neat."
"And you can add some light here to see some of the different grays that you might get here."
"Here's a light, here's a shadow, here's a half tone."
"It's not as transparent, okay, then because I want to mix these two products for the shading."
"It's just another coat on top of your shader essentially."
"Almost every single time, adding those dark shades really helps those light shades pop."
"Skin shading of this character... it's quite straightforward when you're really getting into it."
"The correct way is using smooth lines from dark to light, lifting up the pencil towards the highlight."
"One of the most common mistakes I see is people forgetting that subtle shading around the face is quite important if you want to accentuate the overall form."
"I'm just putting in little shadows here and there."
"That shading just instantly adds a dimension, just boom."
"... if you want to get an accurate value and you're working in graphite or charcoal to get that more subtle One Step from down light value you can just grab some lines and kind of cross hatch it a little bit."
"If you want to have a really nice dark value of a color, you're going to use more of the crayon."
"So a Phong shading pipeline doesn't actually require any normal maps. It just requires you letting the rasterizer interpolate the normal and the light source like so."
"So again, we've got our nice smooth shading on areas that are sort of rounded, a little bit more organic, and then the hard shading on all the hard surface areas."
"The shading on that thing is really what makes it stand out."
"so this must be two that's shaded"
"Hulk figure: Paint work is pretty incredible, with nice shading and texture."
"I dip half of my brush in water, half of my brush and paint, smooth it out or blend it on a paper towel, and then I shade my projects."
"This is a fantastic example of using shading to create volume in artwork."
"It's all about shapes and shading. If you can get your shading right, you're away."
"We want to have the lightest lights, the darkest darks, and also the values that we see in between."
"The goal of shading is to create the illusion of light, making our images slightly three-dimensional."
"Just adding a little bit of this purple now just to kind of deepen up some of those shadows, deepen up that contrast between the light and dark petals, the sunshine."
"So as you can see here with the curve of the ear as it's going downwards, I'm kind of angling those strokes down and around."
"So I'm just going in with some shadows, some slight shadows that I can see within the white areas."
"You paint roses with shadows more than you paint it with light."
"I love the shading, it's just gorgeous, absolutely gorgeous."
"'I feel like this picture had a lot of different elements to shade. I spent a total of four and a half hours on this picture which is a bit more than usual but it does make sense since I am drawing more of a pose and the lighting was kind of complicated.'"
"Shading itself is not hard; what is very hard is to understand what you should be shading."
"I'm going to pull in some shadows now to make these lines pop a little bit more."
"The light source is coming from above and from the left side, we need to shade accordingly."
"Adding a bit more texture to the mountains, especially the ones that are not in the light."
"Adding more line weight to shadow areas such as grooves and folds where you would get ambient occlusion helps hint at the light direction and where shadows are."
"Now we're almost ready to shade, which is going to really make this piece come together and really pop."
"For some magical reason, recess shading has a way of making our blends look better and in fact, everything look better."
"I'm just going to paint anywhere where I want some shading because he is behind all these people."
"Start from one side of the mushroom and pull in the color; that's going to give you a really nice naturally shaded effect."
"You want to glide over the surface, you want to add shading gradually."
"I like to add this darker value for the bottom part of each of the grass."
"Always start off lighter because you can add darker shadows, but it's harder to make something lighter."
"I prefer using a darker shade of green for shading, it gives a more natural effect."
"If you are using colored pencils and you want to experiment with your colored pencils and learn how to do your shading and create your shadows and your highlights, you just follow the grayscale."
"I love the shading on the inside here, curls around."
"I begin the shading around her face by blushing it with pinks, reds, purples, browns, blues, and whites."
"Look how beautiful that shading is."
"You only want to shade the darker parts of the shadow on a sphere, where is that going to be? It's going to be something called the core shadow."
"The whites of the eyes are rarely pure white, so oftentimes you'll have to go back in and paint a light tone inside of those areas."
"The thing that's going to make it look more realistic... is making sure that your darks are dark enough, your lights are light enough."
"How I do shading is I create this new layer and then I create a clipping mask on top of the layer that I'm trying to shade."
"When you're wanting to shade, you're typically wanting to create these gradients, maybe add a little bit of realism to your pieces."
"This might be one of the best things I've shaded, maybe, I don't know, it's definitely up there."
"I'm really just mapping out where it flows a little bit before I go over the whole thing when I shade them out."
"It really depends on the way that you're going to shade your design as well."
"I'm just going to start by sampling my background color for my shading; that's a good place to start."
"It's important to understand where the light source is coming from because if the light source is coming from the left, this right side is going to be darker."
"I select all the faces and I change them from the default flat shading to smooth shading."
"The Mars Lumograph Black will give those really deep rich dark tones without the glare."
"I'm going to use a selection of different shades from dark to light to make it look like there's some shadow, there's some light, and make it look nice and realistic."
"I love adding in the shading and starting to see a 3D image come to life on the paper."
"It feels like it goes on really light at first, but the shading properties of this ink are stunning."
"Remember that the eye is a ball, it's gonna get darker as it goes around."
"The smaller that things are, the less noticeable shadows cast are; they need shading to accentuate them."
"I just love the bright white block of color, there was some really nice shading in there as well."
"Keep your layers really light and use circular motions to help get even shading."
"You'll be quite surprised how three-dimensional this will get very quickly just by the careful application of these shadows."
"When you are shading different drapes, you want your shading strokes, brush strokes, marker strokes to reflect the drape of the garment."
"If you want, you can go in with some of the purple, you can shade that."
"Shading is what makes your Zentangle patterns come to life."
"We have been talking about shading... and how to interpolate normals so we can get smooth-looking surfaces out of our polynomial streams."
"This is ambient occlusion and the purpose of this map is to darken up places of the object that this map is on."
"I'm going to show you how to do a little bit of basic shading over here."
"If you can learn to do this, then you can learn to kind of take that into any kind of shading."
"When you shade that, it's beautiful."
"I love using my charcoal pencils for shading."
"We're gonna start by making the values nice and dark in this first eye, of course leaving an open area where we see a highlight."
"The final shading method, although the most complicated, I think it yields really, really awesome results."
"You really want to be able to exaggerate some of your shapes in order to get the best shading possible with this toon shader."
"I think it would be cool to have a shading video that's just all about how to think about shading."
"What you actually need now is an environment light... that means you can shade different parts of your volume differently."
"By adding these little triangular shadow triangles, you get this feeling of depth."
"If you don't like the shape, you can come into shading, go into noise, and just pick a different seed."
"We're gonna super hammer down on shading because that's how you make your artwork go to the next level."
"I'm just adding a bit more value on the part of the neck where we have these huge muscles."
"Shading changes the mood and really changes the vibe of your art style."
"I think it was much easier to start with very light colors for the houses because you can always add some darkness to the shadow areas."
"Overall, I mean, it looks pretty good."
"You can definitely tell it's a hand that's holding it, there's some cool shading going on."
"When I paint a black plane, I don't normally paint it straight black because you can't do any shading if it's already black."
"Shade your iris darker or lighter depending on the eye color or shade that you want."
"Shading now just changes everything."
"Shading adds a third dimension, gives it the depth and the character."
"The answer is usually operable shading, but just for this demo and the scope of this tutorial, we're only focused on fixed shading devices."
"The beauty of this particular design is the shading that occurs as these bubbles overlap one another."
"Keeping the layers separate allows me to kind of use the airbrush to fill in the shadows and the highlights."
"They can also be used to shade your house which can reduce your energy bill."
"If you paint it slightly lighter than black, you can run a black wash on it and get some relief from the crevices."
"It's shaded and highlighted, and it is beautifully done."
"That's darkening the dark areas and that's what we're all about here, we wanted to make it look super realistic."
"Angle brushes are also really great for shading."
"It's an easy way to shade by having it just run into all those lines."
"Hue shift shading is that as you shade, you slowly keep sliding the hue over."
"Mint occlusion will give us this kind of depth into it, it will give this shading, these shadows around the corners or around the intersections."
"The secret to shading is really just practice."
"The great tip I'm going to give you guys for doing snake scales is just to do like the crosshatch mode similar to how we shade."
"He looks fantastic, I do like the subtle shading throughout the entire outfit."
"How can we make this look better? How can we really bring it out, do some shading, make it look really pop out?"
"I love shading and adding details to everything."