"The powerful effects audio can have on our brain are well studied and scientifically accepted."
"Let's move on and talk about effects. So effects on MPC One can be applied on multiple levels, all the way from pads to key groups to programs, sub mixes, and the master output."
"Yoda's death sound is indisputably the greatest death sound of all time."
"You just want to load it up, try on a few different things."
"The inspiration factor of stereo effects is such that you just leads you off into other places."
"The fun is putting a sound in for the first time, brings it to life."
"What a riser does is it rises and rises makes that sound effective like until it sees its high point..."
"So don't be afraid to use multiple reverbs and delays."
"Crush is like an 8-bit low by grungy type effects - the low frequency, the high-frequency version - this gives you your intensity and filter."
"Let's go baby, we did it! The sound effects are crazy here bro, there we go!"
"This could be your one and only go-to reverb for pretty much any situation."
"By far the most effective tool this game has is its sound design."
"Compression and compressed drums, in particular, have had an equally large impact. But unlike distortion, which is pretty easy to hear, compression is subliminal."
"Many powerful sounds come from very small moves."
"I like the tone but I don't like that extra little echo on it so I'm going to do is I'm going to go to this tape delay plug-in and I'm going to click on the far left of it just to turn it off to bypass it."
"I absolutely love the audio cues in this game, it's like someone's propane igniter on their grill and they've got it poured into the game, it's brilliant."
"What's putting it over the top is the splat sound effect."
"The key factor is the effects and how you manipulate and EQ the actual sounds that you are using and how you layer."
"Saturator is a non-linear effect, it sounds different and behaves different."
"Reverb is basically salt. If you put it on anything, it'll taste better."
"But I do not want to bypass the effects maybe a reverb a compressor it could be a delay."
"It's interesting that delay almost gives it like an in-your-face space that's almost reverb but not."
"Let's say we want to add something to make our voice sound good usually I use a limiter a compressor and an EQ so we just have this this naked audio right here all you do to add effects is you know go in here click on audio effects and then grab your limiter."
"Highly recommend it try it out at home and also splitting your signal taking a monos source and splitting it out um to two sides and then you have things operating against each other also getting sort of Phantom panning effects is quite interesting."
"It may be a little limiting that you only have four available here however I would say if you have intro and outro that's two you still have plenty of room for two more effects."
"It's such its own sound, it's almost like, you know, ten thousand little tiny delays happening sporadically and in the right time in the right place, no other reverb can do what the afternoon does."
"This Valhalla stuff, like, let's go to big stereo. Let's do sad dual reverse, and we're gonna go dark here, right?"
"If I want to simulate a vocalist being far away from me, say in an arena or in a concert venue, their vocal needs to be compressed on its own to simulate them being far away from me."
"If you want your vocals to have some punch, you want to cut through. Use saturation, Distortion, tape plugins, or preamp emulations."
"Compression can make it better but it can also make it worse."
"Effects can add that extra sense of space and depth in your mix."
"You've got this really lush stereo reverb effect with modulation."
"Now, because there's a little bit of delay here, right, in order to make this effect, let's say we use five milliseconds."
"AUM has quite a few little things of its own, little effects of its own that you can use for free."
"I wanted to bring back some sort of interpretation of effects to not just make the clinical canonical effect but to make something that encompassed some of my own aesthetics."
"You need a pre-delay to emulate that moment when sound hasn't hit the wall yet."
"This third parameter here is a sample rate reducer, which will do sort of what some people call bit crushing."
"The echo is absolutely one of the selling points of the Reason Plus subscription."
"I flipping love the reverbs, and the weirder it gets, the more I love it."
"It saturates it more, I'm getting that saturated sound with the reverbs and the delays, and it's just beautiful."
"The Specular Tempest did have this one thing that no pedal, rack unit, or even VST plugin could pull off."
"Distortion is everywhere; it is a creative effect and a component which provides extra warmth and an analog vibe a lot of people like."
"All we need to do is add fades to our audio."
"Have you ever wanted to create that cool echo or delay effect?"
"If there are any other problems you need to fix, fix those problems, add a little effects like the reverb on a send, and move on."
"Effects are better felt than heard."
"The Fat Channel is an incredibly useful effect rack consisting of a gate, a compressor, an equalizer, and a limiter."
"That infamous 3D effect that we always want in our mixes and masters."
"Create return channels with Reverb and Delay."
"We have the basic sound design now, so we can go into the effects section to pump it up."
"The effects rack is so powerful, each layer can have an independent chain."
"Compressors, they're like an antidepressant for music."
"A Reverb is the sound of a space."
"If you want to separate the sound from the reverb... then you're going to want to have a pre-delay of more than 50 milliseconds."
"We will use the wind noise to colorize the grass itself to make the waves of wind clear for the player."
"Adding just a little bit of delay can actually enhance the sound of the guitar a lot."
"When you use your effects, you're trying to create textures, atmosphere, and vibes."
"If you want to make a sound where you want to completely kill the highs, well an MG Low 24 will be your best friend."
"Use Reverb effectively in your music."
"Little AlterBoy is a very powerful plugin, mainly in the fact that you get pitch shift and formant shift, and they don't have to be exactly the same."
"The stereo sine and square wave choruses on the X3 are really nice."
"Making one move on a track can potentially wreak havoc on another part of the mix; everything is symbiotic, it's all connected."
"The big boost for surround sound came with a single release: 1977's Star Wars: A New Hope, with its swooping rear channel effects."
"Zoom Escaper is a free web widget that allows users to add fake audio effects to a Zoom call."
"All the effects modeling in Fractal's world are outstanding."
"The Yamaha has the built-in FX engine with 24 FX."
"We're getting a kind of time stretching effect."
"Creating a kind of chorusy effect, it's very wide."
"We have a built-in effects course, reverb, and delay."
"The effects are activated by the now familiar paddle controls which lock on when pushed away from you and spring back when pulled towards you."
"It's easy for us to put the attack and release up and then forget about it... but one of the best ways to make your pad feel like it's evolving more is by increasing the release and increasing decay and lowering down the sustain."
"You can also start playing with some panning, so I like to pan different effects left and right."
"Compressors are powerful audio effects that are required in order to take your productions to the next level."
"One of the most important plugins to achieve this distorted, dark horror-like sound is Filter Bank 3."
"Be fearless and inventive with combining effects and trying different settings."
"Reverb goes a really long way when it comes to making a sound or making a kick sound a lot more distorted and a lot bigger."
"Getting the right lo-fi plugin in your DAW has never been easier."